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Film Convert Pro Bundle 2013 (Mac-OSX)  
Film Convert Pro Bundle 2013 (Mac-OSX) | 2.5GB Give Digital camera footage the color and grain of your favorite film stocks. We love digital cameras. And we love the look of film. FilmConvert models the characteristics of the digital sensors, and provides a complex algorithm to transform digital footage to match your favorite film stocks — including negative densities, printer spectral responses and grain response curves. Use FilmConvert to: Process an edited timeline to DPX for grading Process an edited timeline to QuickTime and reconnect Process all daily footage to QuickTime before editorial FilmConvert Pro Bundle 2013 — MACOSX Includes: FilmConvert Pro 1.020 FilmConvert Pro 1.1.1 — Adobe After Effects-Premiere FilmConvert Pro 1.0.3 — Adobe Photoshop FilmConvert Pro 1.0.1 — Final Cut Pro X-7-Motion FilmConvert for Final Cut Pro requires Final Cut Pro X or 7 or Motion 4 or 5. Note: Final Cut Pro 6 and Motion 3 should also work, but are not supported at this time. System Requirements FilmConvert stand-alone requires Mac OSX 10.6 or above. FilmConvert for After Effects requires After Effects CS5.5 and up or Premiere Pro CS5.5 and up. Both OSX and Windows are supported. FilmConvert for Photoshop is currently only available on OSX (the windows version is in the works though). It requires Photoshop version 12.0 and up, which translates to CS5 and up. 64 bit only on OSX. Download: requires, final, quicktime, filmconvert, adobe, windows, love, motion, edited, digital, bundle, grain, footage, both, film
http://uploaded.net/file/b9rgfdme/FilmConvert.P...B.Mac.OSX.part01.rar
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http://uploaded.net/file/e1pbtnx7/FilmConvert.P...B.Mac.OSX.part11.rar
Total files [11]

Tags: requires final quicktime filmconvert adobe

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FilmConvert Pro Bundle 2013 (Mac OSX)  
FilmConvert Pro Bundle 2013 (Mac OSX) FilmConvert Pro Bundle 2013 (Mac OSX) | 2.5 GB Give Digital camera footage the color and grain of your favorite film stocks. We love digital cameras. And we love the look of film. FilmConvert models the characteristics of the digital sensors, and provides a complex algorithm to transform digital footage to match your favorite film stocks — including negative densities, printer spectral responses and grain response curves. Use FilmConvert to: Process an edited timeline to DPX for grading Process an edited timeline to QuickTime and reconnect Process all daily footage to QuickTime before editorial Includes: FilmConvert Pro 1.020 FilmConvert Pro 1.1.1 — Adobe After Effects-Premiere FilmConvert Pro 1.0.3 — Adobe Photoshop FilmConvert Pro 1.0.1 — Final Cut Pro X-7-Motion FilmConvert for Final Cut Pro requires Final Cut Pro X or 7 or Motion 4 or 5. Note: Final Cut Pro 6 and Motion 3 should also work, but are not supported at this time. System Requirements FilmConvert stand-alone requires Mac OSX 10.6 or above. FilmConvert for After Effects requires After Effects CS5.5 and up or Premiere Pro CS5.5 and up. Both OSX and Windows are supported. FilmConvert for Photoshop is currently only available on OSX (the windows version is in the works though). It requires Photoshop version 12.0 and up, which translates to CS5 and up. 64 bit only on OSX. Password for downloading: us.ware requires, final, quicktime, edited, bundle, adobe, filmconvert, motion, windows, love, digital, footage, works, version, which
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http://uploaded.net/file/1cfgryc6/FilmConvert.P...PB.Mac.OSX.part6.rar
Total files [6]

Tags: requires final quicktime edited bundle

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FilmConvert Pro Bundle 2013 - MacOSX  
FilmConvert Pro Bundle 2013 — MacOSX Give Digital camera footage the color and grain of your favorite film stocks. We love digital cameras. And we love the look of film. FilmConvert models the characteristics of the digital sensors, and provides a complex algorithm to transform digital footage to match your favorite film stocks — including negative densities, printer spectral responses and grain response curves. FilmConvert Pro Bundle 2013 — MacOSX Use FilmConvert to: Process an edited timeline to DPX for grading Process an edited timeline to QuickTime and reconnect Process all daily footage to QuickTime before editorial Includes: FilmConvert Pro 1.020 FilmConvert Pro 1.1.1 — Adobe After Effects-Premiere FilmConvert Pro 1.0.3 — Adobe Photoshop FilmConvert Pro 1.0.1 — Final Cut Pro X-7-Motion FilmConvert for Final Cut Pro requires Final Cut Pro X or 7 or Motion 4 or 5. Note: Final Cut Pro 6 and Motion 3 should also work, but are not supported at this time. System Requirements FilmConvert stand-alone requires Mac OSX 10.6 or above. FilmConvert for After Effects requires After Effects CS5.5 and up or Premiere Pro CS5.5 and up. Both OSX and Windows are supported. FilmConvert for Photoshop is currently only available on OSX (the windows version is in the works though). It requires Photoshop version 12.0 and up, which translates to CS5 and up. 64 bit only on OSX. requires, final, bundle, edited, adobe, windows, filmconvert, motion, quicktime, grain, footage, love, digital, after, effects
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http://dizzcloud.com/dl/1665Xwd/FilmConvert.Pro...AC.OSX-iND.part4.rar
Total files [4]

Tags: requires final bundle edited adobe

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FilmConvert Pro Bundle 2013 - MacOSX  
FilmConvert Pro Bundle 2013 — MacOSX FilmConvert Pro Bundle 2013 — MacOSX | 2.5GB Give Digital camera footage the color and grain of your favorite film stocks. We love digital cameras. And we love the look of film. FilmConvert models the characteristics of the digital sensors, and provides a complex algorithm to transform digital footage to match your favorite film stocks — including negative densities, printer spectral responses and grain response curves. Use FilmConvert to: Process an edited timeline to DPX for grading Process an edited timeline to QuickTime and reconnect Process all daily footage to QuickTime before editorial Includes: FilmConvert Pro 1.020 FilmConvert Pro 1.1.1 — Adobe After Effects-Premiere FilmConvert Pro 1.0.3 — Adobe Photoshop FilmConvert Pro 1.0.1 — Final Cut Pro X-7-Motion FilmConvert for Final Cut Pro requires Final Cut Pro X or 7 or Motion 4 or 5. Note: Final Cut Pro 6 and Motion 3 should also work, but are not supported at this time. System Requirements FilmConvert stand-alone requires Mac OSX 10.6 or above. FilmConvert for After Effects requires After Effects CS5.5 and up or Premiere Pro CS5.5 and up. Both OSX and Windows are supported. FilmConvert for Photoshop is currently only available on OSX (the windows version is in the works though). It requires Photoshop version 12.0 and up, which translates to CS5 and up. 64 bit only on OSX. DIZZCLOUD.COM to requires, final, quicktime, bundle, adobe, windows, filmconvert, motion, edited, digital, grain, footage, love, both, macosx
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http://dizzcloud.com/dl/1644tX5/FilmConvert.Pro...AC.OSX-iND.part4.rar
Total files [4]

Tags: requires final quicktime bundle adobe

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FilmConvert Pro Bundle 2013 MacOSX  
FilmConvert Pro Bundle 2013 MacOSX | 2.5GB Give Digital camera footage the color and grain of your favorite film stocks. We love digital cameras. And we love the look of film. FilmConvert models the characteristics of the digital sensors, and provides a complex algorithm to transform digital footage to match your favorite film stocks — including negative densities, printer spectral responses and grain response curves. Use FilmConvert to: Process an edited timeline to DPX for grading Process an edited timeline to QuickTime and reconnect Process all daily footage to QuickTime before editorial FilmConvert Pro Bundle 2013 — MACOSX Includes: FilmConvert Pro 1.020 FilmConvert Pro 1.1.1 — Adobe After Effects-Premiere FilmConvert Pro 1.0.3 — Adobe Photoshop FilmConvert Pro 1.0.1 — Final Cut Pro X-7-Motion FilmConvert for Final Cut Pro requires Final Cut Pro X or 7 or Motion 4 or 5. Note: Final Cut Pro 6 and Motion 3 should also work, but are not supported at this time. System Requirements FilmConvert stand-alone requires Mac OSX 10.6 or above. FilmConvert for After Effects requires After Effects CS5.5 and up or Premiere Pro CS5.5 and up. Both OSX and Windows are supported. FilmConvert for Photoshop is currently only available on OSX (the windows version is in the works though). It requires Photoshop version 12.0 and up, which translates to CS5 and up. 64 bit only on OSX. requires, final, quicktime, bundle, adobe, windows, filmconvert, motion, edited, digital, grain, footage, love, both, macosx
http://uploaded.net/file/8hrqy6la/FilmConvert.P...ALIBABADKM.part1.rar
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http://uploaded.net/file/cv5bipj1/FilmConvert.P...ALIBABADKM.part4.rar
Total files [4]

Tags: requires final quicktime bundle adobe

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FilmConvert Pro Bundle 2013 MacOSX  
FilmConvert Pro Bundle 2013 MacOSX | 2.5GB Give Digital camera footage the color and grain of your favorite film stocks. We love digital cameras. And we love the look of film. FilmConvert models the characteristics of the digital sensors, and provides a complex algorithm to transform digital footage to match your favorite film stocks — including negative densities, printer spectral responses and grain response curves. Use FilmConvert to: Process an edited timeline to DPX for grading Process an edited timeline to QuickTime and reconnect Process all daily footage to QuickTime before editorial FilmConvert Pro Bundle 2013 — MacOSX Includes: FilmConvert Pro 1.020 FilmConvert Pro 1.1.1 — Adobe After Effects-Premiere FilmConvert Pro 1.0.3 — Adobe Photoshop FilmConvert Pro 1.0.1 — Final Cut Pro X-7-Motion FilmConvert for Final Cut Pro requires Final Cut Pro X or 7 or Motion 4 or 5. Note: Final Cut Pro 6 and Motion 3 should also work, but are not supported at this time. System Requirements FilmConvert stand-alone requires Mac OSX 10.6 or above. FilmConvert for After Effects requires After Effects CS5.5 and up or Premiere Pro CS5.5 and up. Both OSX and Windows are supported. FilmConvert for Photoshop is currently only available on OSX (the windows version is in the works though). It requires Photoshop version 12.0 and up, which translates to CS5 and up. 64 bit only on OSX. rapidgator.net keep2share dizzcloud.com requires, final, quicktime, bundle, adobe, windows, filmconvert, motion, edited, digital, grain, footage, love, both, macosx
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http://dizzcloud.com/dl/165gl13/FilmConvert.Pro...AC.OSX-iND.part4.rar
Total files [12]

Tags: requires final quicktime bundle adobe

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Film Convert Pro Bundle 12.2012 (Mac OSX)  
Film Convert Pro Bundle 12.2012 (Mac OSX) | 2.5 GB Give Digital camera footage the color and grain of your favorite film stocks. We love digital cameras. And we love the look of film. FilmConvert models the characteristics of the digital sensors, and provides a complex algorithm to transform digital footage to match your favorite film stocks — including negative densities, printer spectral responses and grain response curves. Use FilmConvert to: Process an edited timeline to DPX for grading Process an edited timeline to QuickTime and reconnect Process all daily footage to QuickTime before editorial Includes: FilmConvert Pro 1.020 FilmConvert Pro 1.1.1 — Adobe After Effects-Premiere FilmConvert Pro 1.0.3 — Adobe Photoshop FilmConvert Pro 1.0.1 — Final Cut Pro X-7-Motion FilmConvert for Final Cut Pro requires Final Cut Pro X or 7 or Motion 4 or 5. Note: Final Cut Pro 6 and Motion 3 should also work, but are not supported at this time. System Requirements FilmConvert stand-alone requires Mac OSX 10.6 or above. FilmConvert for After Effects requires After Effects CS5.5 and up or Premiere Pro CS5.5 and up. Both OSX and Windows are supported. FilmConvert for Photoshop is currently only available on OSX (the windows version is in the works though). It requires Photoshop version 12.0 and up, which translates to CS5 and up. 64 bit only on OSX. Download Links: requires, final, quicktime, filmconvert, adobe, windows, love, motion, edited, digital, grain, footage, premiere, both, effects
http://uploaded.net/file/ma3tryla/Film.Convert....12.Mac.OSX.part1.rar
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Total files [7]

Tags: requires final quicktime filmconvert adobe

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Film Convert Pro Bundle 12.2012 (Mac OSX)-JAKIA2  
Film Convert Pro Bundle 12.2012 (Mac OSX)-JAKIA2 | 2.5 GB Give Digital camera footage the color and grain of your favorite film stocks. We love digital cameras. And we love the look of film. FilmConvert models the characteristics of the digital sensors, and provides a complex algorithm to transform digital footage to match your favorite film stocks — including negative densities, printer spectral responses and grain response curves. Use FilmConvert to: Process an edited timeline to DPX for grading Process an edited timeline to QuickTime and reconnect Process all daily footage to QuickTime before editorial Includes: FilmConvert Pro 1.020 FilmConvert Pro 1.1.1 — Adobe After Effects-Premiere FilmConvert Pro 1.0.3 — Adobe Photoshop FilmConvert Pro 1.0.1 — Final Cut Pro X-7-Motion FilmConvert for Final Cut Pro requires Final Cut Pro X or 7 or Motion 4 or 5. Note: Final Cut Pro 6 and Motion 3 should also work, but are not supported at this time. System Requirements FilmConvert stand-alone requires Mac OSX 10.6 or above. FilmConvert for After Effects requires After Effects CS5.5 and up or Premiere Pro CS5.5 and up. Both OSX and Windows are supported. FilmConvert for Photoshop is currently only available on OSX (the windows version is in the works though). It requires Photoshop version 12.0 and up, which translates to CS5 and up. 64 bit only on OSX. requires, final, quicktime, filmconvert, adobe, windows, love, motion, edited, digital, grain, footage, premiere, both, effects
http://uploaded.net/file/pt7kh7u0/Film.Convert....OSX.JAKIA2.part1.rar
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Total files [7]

Tags: requires final quicktime filmconvert adobe

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RG] Watermark FX v2.2 MacOSX Retail-CORE  
Watermark.FX.v2.2.MacOSX.Retail-CORE — Download now. Scene group CORE released v2.2 of Watermark FX. Get Watermark.FX.v2.2.MacOSX.Retail-CORE here. Essential description: Category: apps-mac Scene group: CORE Scene .nfo file content: t h e c r a c k e r s o f p r e s e n t t h e 3 0 k — c o l l e c t i o n Watermark FX v2.2 *CRACKED* Cracked by: CORE Release-Name: CR-82E60.ZIP Supplied: CORE Release-Date: 2013/05/29 Packaged: Bergelmir Release-Type: Graphics/Design Protection: DRM OS: MacOSX Crack/SN: Patch Language: English Rating: You decide Disks: 01 DESCRiPTiON Watermark FX combines features of powerful image converter and easy-to-use image editor. It is packed with powerful tools that let you add logos, and a variety of text and line watermark effects to hundreds of your photos at once. Application also converts images into other file formats, changes names or sizes and more. Watermark FX converts multiple photos at once and is particularly useful to photographers, designers, and people who just want to have fun with their photos or upload them online and protect them with watermarks. Most important, it converts hundreds of images at once — so now you dont have to convert every photo individually. iNSTALL/REGiSTER NOTES Just install. Thanks for choosing C)hallenge (O)f (R)everse (E)ngineering CORE NEWS AND iNFOS not available — lAYOUt & hEADER bY. rADs nfO UPdATED ON 2012/01/03 c) C.O.R.E. 2 0 1 3 CRC 6359:43C3 Get Watermark.FX.v2.2.MacOSX.Retail-CORE from: There is no password. 1.71 MB — That's size of this file. converts, core, powerful, photos, most, protect, online, with, once, people, just, images, upload, convert, updated
http://rapidgator.net/file/f001f6772aa2aa5879a3...acOSX.RetailCORE.rar
Total files [1]

Tags: converts core powerful photos most

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FilmConvert Pro 1.34 for Sony Vegas  
FilmConvert Pro 1.34 for Sony Vegas | 167 MB Ever since the introduction of Digital Cameras, digital evangelists have been saying how Film would eventually be superceeded and replaced. After several decades, this is finally happening. However, for many people, the look of the digital footage still leaves a lot to be desired and doesn't look as good straight out of the camera. What is it about film that people like so much? Some people say that film has a magical and organic quality that can never be achieved by a digital camera. We take a more scientific approach. For many years, the film workflow has been to have the film scanned and then graded digitally. Both formats end up as digital files, we can compare them and find out the specific the differences. Our tests have shown that film responds to colors in a different way. Let's look at an example shot on Fuji Pro 160s, and the same image shot on a Canon 5D Mk II. Look specifically how the trees seem to pop in the film image. Real Film Grain Add real grain to your footage, and render at up to 4k. Unlike other plugins that simply overlay film grain, FilmConvert realistically models the mount of grain required for each color and exposure level in your image. Accurate Color Modelling FilmConvert models the characteristics of digital sensors, and provides a complex algorithm to transform digital footage to match your favorite film stocks. Multiple Platform Support FilmConvert is available as Stand-alone software as well as a plugin for After Effects, Premiere, Final Cut, Motion, Vegas and Photoshop. New in v1.34 Released 03 Jul 2013 Added new camera profiles for: Canon 600D, Canon 6D, Canon 5dmk3, Canon C100, Canon XF300, Sony EX1 and various RED cameras. Added Camera Packs for: Nikon D800, Nikon D7000, Canon 550D / T2i, Canon 600D / T3i and Panasonic GH3. Requirements: Sony Vegas Pro 11 and 12 (64-bit). Sony Vegas Pro 11 (32-bit). Download- canon, film, digital, sony, look, that, models, after, many, have, your, camera, nikon, trees, grain
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http://www.secureupload.eu/ev7e2yvq3kaq/FilmCon...4.for.Sony.Vegas.rar
Total files [2]

Tags: canon film digital sony look

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FilmConvert Pro 1.34 for Sony Vegas  
FilmConvert Pro 1.34 for Sony Vegas Ever since the introduction of Digital Cameras, digital evangelists have been saying how Film would eventually be superceeded and replaced. After several decades, this is finally happening. However, for many people, the look of the digital footage still leaves a lot to be desired and doesnt look as good straight out of the camera. What is it about film that people like so much? FilmConvert Pro 1.34 for Sony Vegas Some people say that film has a magical and organic quality that can never be achieved by a digital camera. We take a more scientific approach. For many years, the film workflow has been to have the film scanned and then graded digitally. Both formats end up as digital files, we can compare them and find out the specific the differences. Our tests have shown that film responds to colors in a different way. Lets look at an example — shot on Fuji Pro 160s, and the same image shot on a Canon 5D Mk II. Look specifically how the trees seem to pop in the film image. Real Film Grain Add real grain to your footage, and render at up to 4k. Unlike other plugins that simply overlay film grain, FilmConvert realistically models the mount of grain required for each color and exposure level in your image. Accurate Color Modelling FilmConvertT models the characteristics of digital sensors, and provides a complex algorithm to transform digital footage to match your favorite film stocks. Multiple Platform Support FilmConvert is available as Stand-alone software as well as a plugin for After Effects, Premiere, Final Cut, Motion, Vegas and Photoshop. New in v1.34 Released 03 Jul 2013 Added new camera profiles for: Canon 600D, Canon 6D, Canon 5dmk3, Canon C100, Canon XF300, Sony EX1 and various RED cameras. Added Camera Packs for: Nikon D800, Nikon D7000, Canon 550D / T2i, Canon 600D / T3i and Panasonic GH3. Requirements: Sony Vegas Pro 11 and 12 (64-bit). Sony Vegas Pro 11 (32-bit). canon, film, digital, sony, that, your, models, after, look, many, have, shot, nikon, camera, trees
http://dizzcloud.com/dl/1661fh5/66oj4.FilmConve...4.for.Sony.Vegas.rar
Total files [1]

Tags: canon film digital sony that

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uMark Professional v4.4 + Portable Multilanguage  
uMark Professional v4.4 Portable Multilanguage uMark Professional v4.4 Portable Multilanguage | 13 Mb uMark is a useful program that enables you to add a text or image watermark to your digital photos. You have the possibility to customize the placement of your watermark or to set a custom font, size and color, as well as opacity level. uMark is an utility for marking the images and photos with a copyright notice or your company logo or both. Features Support for BMP, JPG, GIF, PNG and TIFF image type Add text or a logo as a watermark Add EXIF properties as watermark new Add image name, folder name, creation or modification date as watermark new Add multiple watermarks new Batch processing — watermark hundreds of images at once Customizable font formatting options for text Add semi transparent watermarks Place watermark at predefined or customized positions on the image Rotate watermark to any degree Tile the watermark horizontally/vertically or both Resize output images, generate thumbnails Convert output images Open images into uMark directly from Windows Explorer Drag and drop images to uMark from Windows Explorer new Save watermark settings for later use See the full size preview on actual images Add special characters like and to watermark OS Windows XP / Vista / 7 / 8 watermark, umark, images, your, professional, windows, portable, logo, output, image, text, font, processing, customized, predefined
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Total files [4]

Tags: watermark umark images your professional

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WonderFox Video Watermark v2.5  
WonderFox Video Watermark v2.5 | 15 Mb WonderFox Video Watermark focus on protecting your video copyright. Did you worry your video that one day will be unauthorized using and sharing? When people watching your video, do you want to let viewers know you are the owner? You may need to add identity and ownership information to your video, ensure that viewers know the source. Protect Your Video with Digital Watermarks Many popular online video websites allow visitors to view any of the content that their members have uploaded. With some technical support, visitors can also download them whatever they like. Thus, the original works you shared might be used without your consent in a way that you never wanted to do. Even though it is hard to deter video thief, you still can watermark your original videos to build brand awareness. Let others know original maker of these awesome works. Create Dynamic Watermark and Subtitle Effects Add Key? function in WonderFox Video Watermark allows user to make dynamic watermark as you wish. Just create different points (more than two) on the timeline and set different parameters for each point. Then, you will see watermark?s transition effect from one point to another one. For example: Set a key point on third second and set ?Opacity?100, then set another key on eighth second and set the ?Opacity?0, you will see fade-out effect of watermark from third second to eighth second.You can make many dynamic effect of watermark via the time line, such as scrolling subtitle, revolving icon, etc. Convert All Key Videos to Various Formats Worried about watermarking videos in different formats? Never mind WonderFox Video Watermark well supports all popular video formats on the Internet, including AVI, MPEG, WMV, MP4, MKV, 3GP, RM, FLV, SWF, etc. It also enables user to convert your files to any of the following formats: AVI, MPEG, WMV, MP4, MKV, 3GP, RM, FLV, SWF, etc. Now just feel free to upload your video to YouTube and MySpace. Add Watermarks to Videos in Batch Still feel troublesome to process watermarked videos one by one? With the help of WonderFox Video Watermark, you can process all videos you have edited at the same time in the batch mode. It will save you a great deal of time and energy. Download: watermark, video, videos, will, with, your, original, wonderfox, different, never, also, user, just, eighth, time
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Total files [3]

Tags: watermark video videos will with

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FilmConvert Pro 2.06 for After Effects and Premiere Pro (Win  
FilmConvert Pro 2.06 for After Effects and Premiere Pro (Win64) | 87 MB Ever since the introduction of Digital Cameras, digital evangelists have been saying how Film would eventually be superceeded and replaced. After several decades, this is finally happening. However, for many people, the look of the digital footage still leaves a lot to be desired and doesn't look as good straight out of the camera. Real Film Grain Add real grain to your footage, and render at up to 4k. Unlike other plugins that simply overlay film grain, FilmConvert realistically models the mount of grain required for each color and exposure level in your image. Accurate Color Modelling FilmConvert models the characteristics of digital sensors, and provides a complex algorithm to transform digital footage to match your favorite film stocks. Camera Controls Source Camera Selects the camera (or camera type) used to shoot your footage. This setting is required in order to apply the correct color correction. Exposure Performs an adjustment prior to the film emulation being applied. Temp Adjusts the color temperature. This assumes that the clip temp is 5600 (daylight). Moving the slider to the left makes the scene cooler. Moving to the right makes it warmer. Note for RED footage. You should apply our metadata preset in the Adobe provided «Source Settings» interface. This preset merely resets all metadata settings to their default, thereby giving FilmConvert a known starting point for color adjustments. Film Controls Convert To drop down Selects the particular film stock to be emulated. Size drop down Selects the negative size to emulate. Smaller values such as 8mm are fuzzier with larger grain. Larger values have smaller grain. Film Color slider Adjusts the balance between the original digital camera color palette, and the film color palette. Typically you would leave this at 100 film Grain slider Adjusts the amount of grain applied to the image. The default is 100, which is an accurate representation of the grain for the selected film stocks. Some stocks have more grain — such as D3200. Supported Cameras (FilmConvert works on any Digital Camera footage. ) For more accurate results, we are releasing free data packs with profiles of various cameras. Currently released packs: Arri Alexa Canon 5D Mk II Picture Styles Canon C100, C300, C500, 1DC Picture Styles Panasonic GH2 Picture Styles RED one RED one MX RED EPIC / Scarlet Until your camera is added, try using the default profile, which is accurate for most cameras. System Requirements FilmConvert for After Effects or Premiere works on CS5.5 and up. Download film, digital, this, grain, color, camera, your, after, picture, have, moving, models, slider, drop, larger
http://www.kingfiles.net/vte7z3t42s5z/FilmConve...rtPro-AE-PPv2.06.rar
Total files [1]

Tags: film digital this grain color

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FilmConvert Pro 2.06 for After Effects and Premiere Pro (Win64)  
FilmConvert Pro 2.06 for After Effects and Premiere Pro (Win64) | 87 MB Ever since the introduction of Digital Cameras, digital evangelists have been saying how Film would eventually be superceeded and replaced. After several decades, this is finally happening. However, for many people, the look of the digital footage still leaves a lot to be desired and doesn't look as good straight out of the camera. Real Film Grain Add real grain to your footage, and render at up to 4k. Unlike other plugins that simply overlay film grain, FilmConvert realistically models the mount of grain required for each color and exposure level in your image. Accurate Color Modelling FilmConvert models the characteristics of digital sensors, and provides a complex algorithm to transform digital footage to match your favorite film stocks. Camera Controls Source Camera Selects the camera (or camera type) used to shoot your footage. This setting is required in order to apply the correct color correction. Exposure Performs an adjustment prior to the film emulation being applied. Temp Adjusts the color temperature. This assumes that the clip temp is 5600 (daylight). Moving the slider to the left makes the scene cooler. Moving to the right makes it warmer. Note for RED footage. You should apply our metadata preset in the Adobe provided «Source Settings» interface. This preset merely resets all metadata settings to their default, thereby giving FilmConvert a known starting point for color adjustments. Film Controls Convert To drop down Selects the particular film stock to be emulated. Size drop down Selects the negative size to emulate. Smaller values such as 8mm are fuzzier with larger grain. Larger values have smaller grain. Film Color slider Adjusts the balance between the original digital camera color palette, and the film color palette. Typically you would leave this at 100 film Grain slider Adjusts the amount of grain applied to the image. The default is 100, which is an accurate representation of the grain for the selected film stocks. Some stocks have more grain — such as D3200. Supported Cameras (FilmConvert works on any Digital Camera footage. ) For more accurate results, we are releasing free data packs with profiles of various cameras. Currently released packs: Arri Alexa Canon 5D Mk II Picture Styles Canon C100, C300, C500, 1DC Picture Styles Panasonic GH2 Picture Styles RED one RED one MX RED EPIC / Scarlet Until your camera is added, try using the default profile, which is accurate for most cameras. System Requirements FilmConvert for After Effects or Premiere works on CS5.5 and up. Download film, digital, this, grain, color, camera, your, after, picture, have, moving, models, slider, drop, larger
http://www.kingfiles.net/vte7z3t42s5z/FilmConve...rtPro-AE-PPv2.06.rar
Total files [1]

Tags: film digital this grain color


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